Amnesia: A Musical Journey of Remembering by Michael Gallagher

 

Most of us have forgotten our own history. The details that live past our grandparents or great-grandparents sink into time past our vision. Even worst, we develop a lack of inspiration to dive deep into our lineage. Caught up in the daily race of jobs, school, dreams, the role of family ties diminishes.

ariel 1The play Amnesia motivates the audience to reclaim their own story. The story is of a Jewish American man from Oakland California who seeks the roots of his family tree. The main character inhabits both the space of Jewish traditions and modern Oakland hip-hop culture. A mix of theatre, dance, spoken word, live music, and rap all integrated into one story. The combination is abrasive at first, but that is the beauty of it – both styles grind up against each other before ultimately fusing.

The story of Amnesia is of a young adult who traces his ancestry from Kiev, New York City, and Arizona. Lead role and writer Ariel Luckey is the only actor in Amnesia. At first this was odd to me because I had never experienced a theatre piece with only one actor. Furthermore, I made sure to not research Amnesiabefore I went to see it in order to lessen the chance of any predetermined expectations. The strangeness of the solo actor quickly faded after the first act and my attention switched following the storyline.

Ariel Luckey.3 photo by Bethanie HinesWhen Ariel Luckey walked out in silence in the beginning, I had no idea who he was. He walked through the aisles making a simple beat with smooth stones in has hands. The lights set a mysterious mood and the band lay prepared but silent. Ariel eased into a mystical tale that drew the audience close into a reflective state. Then, out of nowhere, he says “I’m from Oakland!” followed by live hip hop music and energetic dancing.

But it is more than just hip-hop. The instruments have an Oakland-Jewish flavor: trumpet, violin, cello, accordion, chimes, electronic beats, and vocals. The five musicians handle all of the sound work, whether it be simple sounds to imitate the scenery of the setting, or full-blown songs. Ariel Luckey is talented at spoken word as well as rapping. His personality shines through all of these skills with the same light.

The monologues are sometimes extremely long in length and the fact that he can memorize an entire play is undeniably impressive. At one point, Ariel uses only body language to communicate a scene. I had never seen so many styles of

performance included into a single play with one actor. The variety of theatrical elements is essential in Amnesia and an unforgettable trait of Ariel Luckey.

The magic of Amnesia has to do with its ability to transition. The past-future fusion of language, music, and story allows the play to smoothly alternate between different characters. The main character plays himself in modern day Oakland and often transforms into his great great grandfather. He embodies his own history in an attempt to understand it. The history runs itself through filters like monologues, music, characters, setting, and even interpretive dance.

amnesia 2The switching of the lens brings us closer to essence of Amnesia. There is Oakland, Ukraine, Arizona, New York – and a prayer for all immigrants. The inclusion of immigrants in Arizona portrays a subtle bridge to Mexican-American struggle. The line from Amnesia: “Research itself is a pilgrimage,” resonates with anyone who has never sought the significance of their ancestry.

I was left with Ariel’s last words: “Illuminate the world with sparks of light,” after he had the audience say a prayer for anyone they knew that was struggling. Amnesia touches our hearts where they lay the heaviest: our family. Now I seek my own story with a little more effort, with creativity in mind. One day I hope to tell it in such a spectacular way as Ariel did. After all, as Amnesia says, “You have to go back to move forward.”

About the author: 

Michael Gallagher is an undergraduate at California College of the Arts with a major in Writing and Literature. His concentration is in poetry and performance. Michael first got involved with La Peña during his Writing Practicum course taught by Faith Adiele. The course connects writers with local communities around the Bay Area and offers students experience in working with practical writing.

 

Board Meeting Agenda 6.30.14

 Agenda

La Peña Board Meeting

Monday, June 30 , 7-9 pm at La Peña

·      Approve Proposed agenda (7 – 7:05)

·      Approve last board meeting notes from March 24, 2014 meeting (7:05 – 7:15)

·      Public input (7:15 – 7:30)

·      ED and Staff report (7:30 – 7:45)

·      Financial Report (7:45 – 8:00)

·      Café Update (8:00 – 8:15)

·      Renovations Update (8:15 – 8:30)

·      Set Next Board Meeting

We’re showing the World Cup!

Hey fútbol fans, did you know that you can catch the World Cup at La Peña?  It’s true!

Here’s a schedule of the matches that we will be showing:

June 19 @ 9am, Colombia vs Ivory Coast
June 19 @ 12pm, Uruguay vs England
June 19 @ 3pm, Japan vs Greece
June 20 @ 9am, Italy vs Costa Rica
June 20 @12 pm, Switzerland vs France
June 20 @ 3pm Honduras vs Ecuador
June 21 @ 9am Argentina vs Iran
June 21 @ 12pm Germany vs Ghana
June 21 @ 3pm Nigeria vs Bosnia – Herz.
June 22 @ 9am Belgium vs Russia
June 22 @ 12pm Korea Republic vs Algeria
June 23 @ 9am Chile vs Netherlands
June 23 @ 1pm Mexico vs Croatia
June 24 @ 9am Costa Rica vs England
June 24 @ 1pm Japan vs Colombia
June 25 @ 9am Nigeria vs Argentina
June 25 @ 1pm Ecuador vs France
June 26 @ 9am USA vs Germany
June 26 @ 1pm Algeria vs Russia

Quarter and Semi finals matches to come, stay tuned.

Third and Fourth Place match
Sat July 12 @ 1pm

World Cup Final

Sun July 13 @ 12pm

Remember – Los Cilantros is now open for breakfast and lunch.

Come cheer for your favorites!

We’ll see you there.

A Sunny Saturday at La Peña by Michael Gallagher

When driving down Shattuck Avenue from Oakland to Berkeley there is one building that stands out in bold colors: La Peña Cultural Center. The mural at the front of the building pops out in three dimensions and explodes with color like sculpted fireworks. Even simply walking by La Peña is a treat: one can expect to hear music, poetry, or the sound of feet dancing rhythms, faintly spilling from the doorway. Lively events where locals teach and practice culturally inspired art forms are La Peña’s calling.

Recently I visited the Adult Afro-Peruvian dance and Cajon class which takes place on Saturdays at La Peña. The class is taught by Gabriela Shiroma and she teaches the graceful yet fiery art of Peruvian dance traditions. The people attending the class were of a wide range of ages, from young adults to older, more experienced dancers. As I walked in to observe the class nobody gave me any second looks or hesitated in their moves – the class was proud and welcoming.

A handful of the women dancing wore vibrant traditional dresses. The dresses flowed wildly when the dancing intensified. The women would hold the ends of their dresses and whip them along with the rhythms of the drums. The instructor directed mostly in Spanish, and had them practice different group routines. The pacing was quick and sharp – the dancers worked diligently at making progress in choreography and synchronicity. When the rhythms of their bodies matched up it created a connected, vibrant body.

The atmosphere of La Peña is always casual and warm. After the Afro-Peruvian dance class, I stayed to check out the Cajon class. I watched the children’s Cajon class set up their wood blocks in a circle in the center of the theatre. Children are always involved with the arts at La Peña, and can often be seen dancing or playing music alongside their parents. The children sat on their drums and talked and joked until the instructor sat down and began to sing.

The instructor, Peta Robles, is a master Cajon percussionist and a widely respected holder of Afro-Peruvian traditions. Peta began the class by singing in a gorgeous, strong voice, immersing the children in the sound of the Afro-Peruvian spirit. They became silent and attentive, and Peta let her proud voice ring out a line of Peruvian lyrics. The sound and strength of the singing made chills run down my spine. It was so different than anything I experience regularly and had an ancient sound that filled me with intrigue.

The children had to repeat the singing one by one on their own, a warm up for their voices and rhythm. The ages of the kids had a wide range and it was utterly adorable to hear the tiny voices of the youngest ones. They were all pretty good at singing and could drum great. To see such talent and encouragement in diversity and music was beautiful. I recommend Peta’s Cajon to any children seeking the roots of song and music.

If you ever find yourself driving to Berkeley, stop by La Peña at 3105 Shattuck Ave and just peek your head in the door. I guarantee something colorful and wonderful is occurring inside. Check out their website for a full calendar of events, or simply stop by and look at the posters on the building. Their doors are always open during events and classes and they are more than happy to let you walk in and check them out.

If you can’t make it during the day for a class, then stop by in the evening and check out their café or a live performance. La Peña is one of the most active and diverse community centers in the entire Bay Area; it is a pinnacle of Latino community arts in Berkeley. The magic of La Peña will touch anyone who sets foot in its door. I left feeling blessed.

About the author: 

Michael Gallagher is an undergraduate at California College of the Arts with a major in Writing and Literature. His concentration is in poetry and performance. Michael first got involved with La Peña during his Writing Practicum course taught by Faith Adiele. The course connects writers with local communities around the Bay Area and offers students experience in working with practical writing.

EMERGENCY FUNDRAISER for Victims of Fire in Valparaíso, Chile. Sunday, April 27th, 3:00 PM to 9:00 PM

Picture 10

 

EMERGENCY FUNDRAISER for Victims of Fire in

Valparaíso, Chile

Sunday, April 27th
3pm to 9pm
Suggested donation: $5 to $100
Restaurant Valparaíso
1403 Solano Avenue
Albany, CA

La Peña Spring Report

Transformation:

It’s hard to begin any director’s report at this point in our history without immediately being called to the renewal that is happening to our building from the front façade to the inner guts and arteries. It’s so exciting to see the transformation, and we are planning a public celebration around our 39th Anniversary in June.

We have been running with a robust schedule of programs despite the “pardon our dust” appeals. As we anticipated, in the theater it’s mostly business as usual, and other than some readjustment, flexibility, and initiative required on the part of night staff, programs have been continuing mostly without interruption.

We continue to add events to our lounge and have begun booking on Tuesday nights, including the monthly Revolutionary Skype Session that brings our community face to face with current issues around the globe using technology.

This month La Peña recognizes International Women’s Night with events including What do the Women Say? (a Golden Thread Production), International Women’s Day Celebration, Preserving our Bay Area Lesbian Legacies, and more.
Since January La Peña has been participating in an audience research collaborative pilot with Wolfbrown Consultants supported by Hewlett. We conducted surveys at Bill Santiago’s shows in Jan/Feb. This project holds a lot of value for expanding audiences, market research, and strategizing promotion.

Our next few months will include unveiling the renovations, the opening of Los Cilantros, a farm-fresh Mexican offering breakfast, lunch, and weekend brunch during daytime hours in Café La Peña, the La Peña commissioned premiere of Ariel Luckey’s Amnesia, new classes in African dance and Latin guitar, and an Anniversary celebration in June. We will also kick off our spring campaign, a continuation of Building Our Future, which will help fund the next phase of La Peña’s renewal!

by Executive Director Kristen Sbrogna
3/24/14

Proposed Board Agenda for Monday March 24, 7-9pm at La Peña

7 – 7:05: Approve Proposed agenda

7:05 – 7:10: Approve last board meeting notes from Feb. 3, 2014 meeting.

7:10 – 7:20: Public input

7:20 – 7:35: ED and Staff report – Kristen

7:35 – 7:50: Finances – Eric

7:50 – 8:05: Update on café – Ellen

8:05 – 8:20: Facilities – Paul

8:20 – 8:25: Miscellaneous

Set next board meeting

8:25 – 9 pm

Closed Session:

EC Report and Recommendations

La Peña Board Meeting Minutes, Dec 16, 2013

LP Board Meeting – Monday, December 16, 2013

Present: Mariola, Paul, Victor, Carol, Alex, Eric, Francine, Kristen, Ellen, and Sarah.

Meeting started at 6:15pm.

1.    Approve notes from the Nov. 18 mtg.

Carol moves to approve minutes from 11/18/13.

Paul seconds.

All in favor.

Sarah, Victor and Mariola abstain (not part of the Board at the moment.)

2.    Welcome new board members Sarah Guerra and Victor Martinez and renewed board member Mariola Fernandez.

3.    Report from ED: Kristen sees the need to form an active fundraising committee. This is a primary duty of the board, and we have an enormous opportunity between now and June 2015 with the Building Our Future campaign to be followed by 40th Anniversary activities.

ACTION: Kristen and Eric will look at the budget to determine if LP has money for hiring someone to help with fundraising.

Agreed: in the meantime we should keep a roster of ideas for fundraising; have another phone banking before the end of the year.

ACTION: Kristen will send an email to the board to inform of date for phone banking.

Addressing letter sent to the Board from some community, mural, and chorus members:

ACTION: Kristen will respond to the letter.

Points to cover: regular communication will be through our website; we are planning to go through with the renovations; schedule for the renovations; give numbers for the different phases; programming plan; general direction of LP; we look forward to open communication; we are willing to address the concerns; we are committed to our founding principles.

4.    Financial committee (financial review) by Carol of finance committee:

  • Thus far, for fiscal year 2014, our financial results are in line with the budget projections: Total revenue from the door has met our projected budget and also our overall operating expenses are in line with our budget projections.
  • We’ve received about $40,000 for the capital campaign with an additional $35,000 in pledges.
  • We’ve been doing very well with grants, particularly with key ones such as Hewlett and Haas.
  • So far we’ve taken the investment for the Café from the General Operations fund of the Cultural Center. We are not sure yet if we can use the endowment money for the Café. We are doing additional research.
  • For the most part we are living within our budget with minor variances.
  • Total budget for renovations, including contingencies: around $110,000. We have more than that amount available in cash, not including BOF pledges.
  • We would not be sending out a good message to our funders, donors, etc. if we delay the start of the project.

 

5.    Mural Report:

The mural group has raised most of what they’ve spent. The artists have been asked to do some touch ups on faces that some have complained about. The mural group has a plan/commitment to raise the money needed for this, which is about $3,000. There are some lights to put up too.

6.    Report from the Café Committee:

Things have been challenging. LP has invested $50,000 so far of which about $26,000 at this time is lost. The past month and a half has shown improvement in revenue.

We’re adopting a new approach to what we’re serving and doing popup kitchens where we bring a guest chef to handle the food service while the Café keeps proceeds from the sale of beverages. The most successful one so far has been the Flamenco cuisine, ñora. We are planning to start opening on Tuesdays. We are also getting interest from restaurants to take over the daytime business as a concession. The idea is that they open for breakfast and lunch and they would leave at 2:30pm. They would pay a rental fee and have a 1-year maximum lease. We had a tasting from one of these businesses and the board was very happy with the results. We also have interest from 2 more businesses. The deadline for proposals is December 20 and the Café board will make a decision by January 6. In terms of programming, there has been a lot more in the Lounge with many exciting events. We will try this arrangement for the next few months to see where we stand and re-evaluate as needed.

7.    Report from the Café Committee:

The construction schedule is being developed. Programming for February should be okay.

ACTION: Kristen will send out a report after hearing construction scheduling details this week.

8.    Capital Campaign updates (see financial report above).

9.    Kristen’s leave: Kristen presented her plan for maternity leave including time off and part-time work

10.   Set February meeting: Monday, February 3 from 6-8pm at La Peña.

Meeting ends at 8:30pm.


La Peña Board Meeting: AGENDA for Feb 3

Starting this year, a portion our board meetings will be open to members of the community.  Come by for a chance to interact with the board, offer ideas, share concerns, and hear about new developments.

Our next board meeting is on February 3rd, 2014, 6 pm at La Peña.

AGENDA
La Peña Board Meeting

2.3.14

6:00 – 6:05: Approval of Agenda

6:05 – 6:10: Approval of December 16 Minutes

6:10 – 6:20: Public Comment

6:20 – 6:30: ED Report

6:30 – 6:40: Capital Campaign/Fundraising Update

6:40 – 6:50: Financial Report

6:50 – 7:05: Cafe Report

7:05 – 7:30: Renovations Report

7:30 pm: Closed Session

We’ll see you there!

A Home. A Hub. A Catalyst…and a Bright Future

Year End Letter from Executive Director Kristen Sbrogna

January 1, 2014

In 2013, La Peña embarked on an exciting journey to revitalize the center and re-envision our role as a true “peña,” a gathering space for art, activism, culture, and building community and connection. As we look forward to our 40th anniversary a year from June, we have more to accomplish, but the view from here is bright.

Like many arts organizations, La Peña experienced a drastic budget reduction following 2008 due to cutbacks in foundation funding. In order to stabilize and revitalize the center, the staff and board laid forth an ambitious plan including structural reorganization, major renovations to the building, new cultural programming in our lounge space, and repositioning the café as a La Peña venture. As we stand on the brink of a new year, I am happy to report that we are well on our way to a reinvigorated and renewed La Peña.

Renovate, Innovate, Engage

2013 saw the launch of La Peña’s capital campaign: Renovate, Innovate, Engage. We raised over $100,000 in the first six months of the campaign, enough to launch the first stage of our building renovations.

This winter, watch as our building transforms!

You may have already seen the beautiful restoration of our Song of Unity mural, and soon the rest of the building will have a facelift. Phase I of the renovations includes a new façade and entryway, sidewalk café seating, improvements to the ticket booth, lobby, and theater entrance, and the addition of an ADA bathroom. Look for information about our grand re-opening celebration this spring!

Café La Peña opened in July with a fresh look and new cultural programming in the lounge space adjacent to the café. Café La Peña is a food hub, presenting pop-ups, cultural nights that combine the arts (music, dance, and/or visual) and cuisine of a particular country or region, and our own regular menu. Regular cultural nights celebrating music and food from Chile, Cuba, Puerto Rico, Spain, and Peru offer hard to find and authentic flavors.

Our new lounge programs continue La Peña’s commitment to arts, activism, and social justice. Local organizations hosting monthly forums on current issues include Food First, CENSA (Center for the Study of the Americas), Global Exchange, and Bay Area Skeptics. La Peña’s 2nd Gen (the “younger” organizers in our community) host monthly open-mics, dj nights, and live music.

The repositioning of the café has allowed us to develop these exciting programs while opening up a new revenue stream for the center, all the while continuing our regular programming in the theater.

2014 will see the completion of our first phase of renovations, commissioning of innovative work by local and international artists, expansion of our arts education program, and further development of cultural programming in the lounge.

Transition is not easy for anyone or any organization. Among La Peña’s other recent challenges, our beloved director of nearly three decades, Paul Chin, retired. The departure of such a dedicated and inspiring leader was difficult, but we are fortunate to have Paul serving as one of our top volunteers in his new role as board chair. Paul left me some big shoes to fill, but I’ve learned in my first several months on the job that there are many others in these shoes with me. I’m honored to serve this incredible community and to be doing such important work, and I’m so grateful to everyone who came before me and laid such a solid foundation. As I look forward to 2014, I feel we have weathered the storm; there is no doubt that La Peña will grow and nourish future generations while maintaining a firm connection to its roots and its history.

As always, we could not do our work without you, and we rely on our community for support. If you are reading this, you are part of that community! I invite you to deepen your involvement with La Peña in 2014. Come to more programs. Take a class. Bring a friend to a forum. Volunteer. If you can, donate. Be part of the movement. Be part of La Peña!

Aquí Nos Vemos.

In Solidarity,

Kristen Sbrogna

Executive Director

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